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The world of the Kamasutra is a world of privilege the lovers must be rich. It would be good to have more information about social conditions in India at the time of the composition of the Kamasutra, but the Kamasutra itself is one of the main sources that we have for such data the text is, in a sense, its own context. Class in the Kamasutra Whom was it written for? It is difficult to assess how broad a spectrum of ancient Indian society knew the text first-hand. But the many textbooks of eroticism that follow it, such as the Kokashastra (or Ratirahasya) and the Anangaranga, eliminate most of the Kamasutra’s encyclopaedic social and psychological narratives and concentrate primarily on the sexual positions, of which they describe many more than are found in the Kamasutra. The real Kamasutra is a book about the art of living – about finding a partner, maintaining power in a marriage, committing adultery, living as or with a courtesan, using drugs – and also about the positions in sexual intercourse. The Kamasutra was certainly not the first of its genre, nor was it the last.
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Most people think the Kamasutra is a book about the positions (often improbable) in sexual intercourse, the erotic counterpart to the ascetic asanas of yoga. Reviews of books dealing with the Kamasutra in recent years have had titles like “Assume the Position” and “Position Impossible” … The part of the Kamasutra describing the positions may have been the best-thumbed passage in previous ages of sexual censorship, but nowadays, when sexually explicit novels, films and instruction manuals are widely available, that part is the least useful.
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